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	<title>#exploitation Archives - Empoword Journalism</title>
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		<title>Are all TikTok child star accounts inherently exploitative?</title>
		<link>https://www.empowordjournalism.com/all-articles/are-all-tiktok-child-star-accounts-inherently-exploitative/</link>
					<comments>https://www.empowordjournalism.com/all-articles/are-all-tiktok-child-star-accounts-inherently-exploitative/#respond</comments>
		
		<dc:creator><![CDATA[Tabitha Wilson]]></dc:creator>
		<pubDate>Thu, 19 Jan 2023 11:30:32 +0000</pubDate>
				<category><![CDATA[All Articles]]></category>
		<category><![CDATA[Features]]></category>
		<category><![CDATA[Lifestyle]]></category>
		<category><![CDATA[#exploitation]]></category>
		<category><![CDATA[child stars]]></category>
		<category><![CDATA[online safety]]></category>
		<category><![CDATA[social media]]></category>
		<category><![CDATA[tabitha wilson]]></category>
		<category><![CDATA[TikTok]]></category>
		<guid isPermaLink="false">https://www.empowordjournalism.com/?p=36616</guid>

					<description><![CDATA[<p>TikTok has undoubtedly become one of the largest social media sensations on the planet, with the platform giving anyone the ability to launch a career.  Due to the viral nature of the video-sharing app, it’s no surprise that everyone is creating content aiming to find fame.</p>
<p>The post <a href="https://www.empowordjournalism.com/all-articles/are-all-tiktok-child-star-accounts-inherently-exploitative/">Are all TikTok child star accounts inherently exploitative?</a> appeared first on <a href="https://www.empowordjournalism.com">Empoword Journalism</a>.</p>
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		<title>Blonde 2022: Exploiting The Myth of Marilyn Monroe</title>
		<link>https://www.empowordjournalism.com/all-articles/entertainment/blonde-2022-exploiting-the-myth-of-marilyn-monroe/</link>
					<comments>https://www.empowordjournalism.com/all-articles/entertainment/blonde-2022-exploiting-the-myth-of-marilyn-monroe/#respond</comments>
		
		<dc:creator><![CDATA[Lauren Bryant]]></dc:creator>
		<pubDate>Fri, 14 Oct 2022 11:27:47 +0000</pubDate>
				<category><![CDATA[All Articles]]></category>
		<category><![CDATA[Culture]]></category>
		<category><![CDATA[Entertainment]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[#exploitation]]></category>
		<category><![CDATA[Ana de Armas]]></category>
		<category><![CDATA[Andrew Dominik]]></category>
		<category><![CDATA[Blonde]]></category>
		<category><![CDATA[Lauren Bryant]]></category>
		<category><![CDATA[Marilyn Monroe]]></category>
		<category><![CDATA[review]]></category>
		<guid isPermaLink="false">https://www.empowordjournalism.com/?p=32152</guid>

					<description><![CDATA[<p>Andrew Dominik's 2022 Blonde seeks to reimagine and hyperbolise the life of cultural icon, Marilyn Monroe. But, at what cost?</p>
<p>The post <a href="https://www.empowordjournalism.com/all-articles/entertainment/blonde-2022-exploiting-the-myth-of-marilyn-monroe/">Blonde 2022: Exploiting The Myth of Marilyn Monroe</a> appeared first on <a href="https://www.empowordjournalism.com">Empoword Journalism</a>.</p>
]]></description>
		
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