Ever since its release on the 25th December 2020, Bridgerton has dominated screens and sent its viewers into a frenzy of envy and desire for its main characters, period sets, and of course, its music.
“Bridgerton’s choice of music gives this Netflix series a flare of originality”
Bridgerton is the Netflix period drama that everyone seems to be obsessed with. Set in nineteenth-century England, this show details the life of the Bridgerton household, focusing on Daphne, the eldest daughter, and her entrance into society. Tasked with eight children, Mrs. Bridgerton must navigate single-parenthood and prepare her children for the world of marriage.
Unlike most period dramas, Bridgerton’s choice of music gives this Netflix series a flare of originality and dominance which rivals that of its competitors.
Thank U, Next
This Vitamin String Quartet cover of Ariana Grande’s 2018 song features in episode one, accompanying Daphne as she weaves her way around the extravagant ballroom in search of potential suitors. Just as Ariana Grande lists several men in her 2018 hit, Daphne also questions the suitability of each man whose gaze radiates towards her youth and innocence.
Girls Like You
This cover of Maroon 5’s Girls Like You plays a teasing role in the first episode as Daphne struggles to entertain and entice potential suitors in the shadow of her brother Anthony’s watchful gaze. “I need more hours with you” is certainly a legitimate ask of the town’s gentlemen as they flock to the Bridgerton household, especially when Daphne’s domineering brother seems to be doing everything in his power to scare every man off.
bad guy
This adaptation of Billie Eilish’s song bad guy suits the sneaky and clandestine nature of their perfected ruse that establishes the Duke as the perfect suitor for Daphne. Their plan to appear ‘in love’ to attract more potential husbands for Daphne deepens their connection as a tag team of deception.
Strange
The decision to adapt Celeste’s song here is certainly unexpected. With her song A Little Love being the highlight of the joint Christmas advert by John Lewis and Waitrose, it comes as a surprise to discover the string quartet cover of Strange to announce Daphne and the Duke’s first night spend together locked in each other’s arms.
Wildest Dreams
This quartet cover of Taylor Swift’s Wildest Dreams could not suit episode six better. Accompanying their honeymoon at the Duke’s estate, this newlywed couple escape to each and every corner of this estate in a frenzy of passion and love, indulging in each other’s immediate company and living their own wildest dreams.
In My Blood
Shawn Mendes’ In My Blood is a powerful outburst of love and passion whose source resonates within his very blood. That is why this is the perfect track for Daphne and the Duke to dance to at the final ball of the season. This is the scene where this struggling couple finally seem to appreciate the bond they have and endeavour to strengthen their marriage.
“Bridgerton is a must-see for all period drama lovers”
This period drama spares no expense when it comes to extravagance and intrigue. Directors’ decisions to acquaint this nineteenth-century drama with twenty-first century Pop songs provides a cinematic quirk that most series do not excite.
Each Pop cover has been intrinsically intertwined into the narrative to enrich its content whilst mirroring itself with modern romantic cultures. Bridgerton is a must-see for all period drama lovers and those wishing to delve into the intricacies of relationships and wonder.
Madeleine Raine
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